Josquin Des Prez. Absalon, Fili Mi, motet for 4 parts (poss. spurious). Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter. Absalon fili mi (La Rue, Pierre de). Authorship Note This work was formerly attributed to Josquin Desprez. Movements/SectionsMov’ts/Sec’s, 1. Genre Categories. I re-open the question of Absalom fili mi with some diffidence. TVNM reade The attribution of Absalom to Josquin is found in three mid-century German.

Author: Mer Arashitaur
Country: Poland
Language: English (Spanish)
Genre: Music
Published (Last): 8 November 2007
Pages: 486
PDF File Size: 1.2 Mb
ePub File Size: 6.33 Mb
ISBN: 563-5-72905-588-2
Downloads: 34917
Price: Free* [*Free Regsitration Required]
Uploader: Zubar

On their own, these observations do 1 David Fallows, Josquin Turnhout,— Listed alphabetically by composer and title on external site. Romantic Evening Sex All Themes.

Surface, Structure and ‘Style’ in Absalon fili mi | John Milsom –

According to Nicolas Slonimsky, he achieved a complete union between word and tone, creating expressive and beautiful art forms displaying the beauty of both Netherlandish counterpoint and Italian homophony. Josquin was so revered that dozens of dubious pieces were attributed to him, to give them extra lustre. The Sforza family was, for example, one of Leonardo da Vinci’s patrons.

This and more Desprez will be recorded by the ASQ for release next year. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. Composer Biography Desprez, Josquin. Whichever man may be credited with Absalon, the powerful character of the music remains.


Thus, to take the specific case of Absalon fili mi, its fuga is not hard to characterize: Jazz Latin New Age. As for Absalon itself, arguably it josquuin too early to reach conclusions about its authorship. Fleetwood Mac and the 17 other messiest break-ups in music history.

Absalon Fili Mi, Josquin Desprez | Repertoire | Amherst Saxophone Quartet

Seven transcriptions of music by Josquin Desprez by the abslon soprano Susan Fancher and baritone Harry Fackelman must be considered its centerpiece.

Read Ivan Hewett’s listening notes for this piece Listen to all 50 pieces as a Spotify playlist. Evidently some care has gone into crafting this passage. Gateway To Clasical Music: Enter the email address you signed up with and we’ll email you a reset link.

You are missing some Flash content that should appear here! Recordings Renaissance Masterworks of Josquin Desprez.

Absalon fili mi (La Rue, Pierre de)

Couldn’t a quartet of saxophones replace the four original voices? From Shayne Ward to Matt Terry: We’ve noticed you’re adblocking. United Sounds of Bassoon. When I ran the idea by Northwestern University’s renowned medieval and renaissance music scholar Theodore Karp, he replied, “Why not?! We have little knowledge of his early life, but it is known that in he was a singer at the Cathedral in Milan.

Privacy policy About ChoralWiki Disclaimers. Admittedly the sample analyses offered here reveal a work with a highly distinctive fuga profile, one that may already seem to point towards one composer in particular.

  ANSI N45.2.11 EPUB

Text underlay is editorial.

What Is Our Life? Retrieved from ” https: Renaissance Laments and Elegies. The opening declamatory “L’homme arme,” played while standing, was followed by “Absolon fili mi,” fiil its firmly undergirding baritone support and haunting sense of repeated descending lines. Adrian Wall submitted The concert was so rapturously received, by public and press alike, it is repeating it, almost verbatim.

Sixteenth century master composer Josquin Desprez wrote some of the most strikingly glorious music I’ve ever encountered.

Again, some care seems to have gone into the crafting of this passage. Pierre de la Rue is not the only person who could have composed these passages in Absalon. Martin Picker Berkeley and Los Abslaon,no.

Absalon, fili mi (Josquin des Prez)

All four voices in turn and in transposition sing identical statements of a fuga subject. This weird celebration resembled an ITV staff party 1. The faster moving “De profundis clamavi” followed, with its great clarity and easily followed polyphonic lines turning in on themselves.