The virtuoso pianist and composer Antonio Ruiz Pipó was born in Tagged: Antonio Ruiz Pipo, classical, Drop D, guitar pro, midi, sheet music. I wonder if anyone could confirm or suggest the best (pima) fingering for the third measure of this piece? Specifically the G of the melody in the. Results for Estancias Ruiz-Pipo (not all results may be relevant). Submitted by Anonymous (not verified) on See also. Estancias: guitar.
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He partnered with his longtime friend the violinist Serge Blanc in duos, trios, and quartets with piano with whom he toured within France, Spain and many other countries. Would a be a better choice? Pupo use the suggested i-m and it feels fine to me; but this could be the result of years of accumulated comfort with the fingering.
CANCION Y DANZA NO 1 INTERACTIVE TAB by Antonio Ruiz Pipo @
This page was last edited on 17 Novemberat I mean, it was a legit facsimile with hard covers bought and the store and all but the score was handwritten. Leave a Reply Cancel reply Your email address will not be published.
Yepes’ right hand fingerings do not seem intuitive, which leads to the conclusion that using an i-a combination would be easier and better. Please help improve this article by adding citations to reliable sources. In other words I play exactly as annotated in the above example. Everything on the website is free, but we won’t say no to a small donation, to keep it going, and to make it even better. Your email address will not be published.
You do not have the required permissions to view the files attached to this post. I do also believe that you can bring the melodic line out better with the m finger, as suggested, because you can bring a little more torque to bear on it naturally to my ears, the melodic line sounds a bit one-dimensional when I use the a finger.
But, no matter what fingering you use–and this antknio the most important thing with this particular piece–it will take a lot of slow practice and a lot of patience to bring it up to speed. He died in Paris, aged Retrieved from ” https: He studied the piano with Alicia de Larrocha and composition with Salvador Bacarisse and others. Views Read Edit View history. In ghitar to your advice this also seems to be implied by the fingering notes on the music itself. On the side note, when I originally bought the score it was a photo copy of a hand written score.
I just need to work on speed and clarity! His music is consistently tonal, his treatment and harmonization of his thematic material often deceptively simple-sounding guitad sophisticated, and he revels in sharp contrasts of mood and colour. I pluck the “G” between the A and F with my A finger because I find it more natural, in a sense that “G” is so short followed by “F ” playing both with “M” is too much for me at tempo.
Donate Everything on the website is free, but we won’t say no to a small donation, to keep it going, and to make it even better. I was keen to learn fingering that I could take up to speed.
In his youth he played the guitar a little, and this provided him with a working knowledge of the instrument, for which he wrote numerous works. It seems a bit fast to use m throughout the whole melody line in measures ? Our website is made possible by displaying online advertisements to our visitors.
Antonio Ruiz-Pipó – Wikipedia
Natonio think that you will agree that you will be able to finesse and shape the melodic line a little bit more if you use the m finger. What’s guitqr Favorite Style? The clincher was simply playing the melody line on its own and at tempo, with both options. If you’re new here, you may want to subscribe to my RSS feed. Specifically the G of the melody in the third measure that skips between A and F.
He studied the piano with Alicia de Larrocha and composition with Salvador Bacarisse and others.
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